Intermission
9: Tell Me of Vulcan
Disclaimer:
Aaack, okay, ParaBorg wins. They own everything.
Thanks to T'Thelaih for once again beta reading at the speed of email
:O)
This
story is part of the Intermission series, which are basically scenes
from a TOS episode told by one or more of the characters. It is not
necessary to read the stories in order, which is a good thing,
because this story is slightly out of broadcast order.
Summary:
From "The Man Trap," where Uhura asks Spock about Vulcan's
moon.
Rating:
PG, TOS, 1/1
---///---
It's
deadly quiet on the bridge. And it's making me nervous. Very nervous.
It's probably what Chris Chapel calls "spacer's sense," the
intuition that anyone develops who lives out in space.
I look
over my shoulder at Spock, who is also nervous, though he hides it
well. We're nervous for the same reason, he and I: on a ship
notorious for "routine" missions that are anything but, our
captain is on the planet below…for a routine mission. Medical exams
of an archaological expeditions aren't exactly known for their
danger. But we are on the Enterprise.
Right
now, Spock is going over the end-of-the-month reports, the reports
the captain would willingly dump out the nearest airlock if they
weren't required by regulations. It's tedious work, peppered only by
the occasional bickering between the departments. Medicine wants this
piece of equipment, but Engineering "can't afford the drain on
the parts bank." I hear it all, but fortunately, I only have to
deal with my own department.
Spock
doesn't have that option. As First Officer and Science Officer, he
has to handle it. The bickering between the various departments isn't
too tough for him solve; it takes a man like Dr McCoy to willingly
argue with him, that's for sure. But the reports still have to be
compiled for the captain's signature, and that's what Spock, for lack
of anything more interesting to do, is doing now. "Miss Uhura,"
he says now, "your last subspace log contained an error in the
frequency column."
I
remember that report. It had taken me two days, multiple cups of
coffee and one massive headache to get it done. Starfleet was testing
a new communications chip in my console, and they needed a full
review of its performance. "Mr Spock," I say, coming to
stand beside him where he sits uneasily in the captain's chair,
"sometimes if I hear 'frequency' once more, I'll cry."
The
look of alarm that flits across his features almost makes me laugh.
Poor soul, he doesn't quite get it. "Cry?" he asks.
I laugh
slightly. "I was just trying to start a conversation."
He
returns his attention to his report, then looks back at me. "Well,
since it is illogical for a communications officer to resent the word
'frequency,' I have no answer."
"Oh,
you have an answer," I say wryly. "I'm an illogical woman
who's beginning to feel too much a part of that communications
console." He breathes out, considering. How confusing this all
must be for him even now, a lone Vulcan on a ship full of illogical
humans. We've bantered like this before, in the Rec Room, but some
perverse impulse---and probably the extreme boredom of a routine
mission---makes me continue. "Why don't you tell me I'm an
attractive young lady, or ask me if I've ever been in love. Tell me
how your planet Vulcan looks on a lazy evening when the moon is
full." I watch as he nervously runs one finger around the collar
of his uniform shirt. No, he doesn't get it at all.
Finally
Spock looks at me, the seriousness of his face belied by the twinkle
in his eye. "Miss Uhura," he says slowly, "Vulcan has
no moon."
"Mr
Spock," I say, grinning, "I'm not surprised."
The
incoming hail whistles, breaking the mood. I've got a bad feeling
about this; an incoming hail so soon after beam-down is never good.
"Enterprise, landing party returning. We report one death."
Spock
punches the button on the captain's chair. "Bridge,
acknowledged."
Just
like that, a man is dead, and it could be anyone. Our routine mission
has, once again, turned deadly. And Spock sits there like a statue. I
turn back to him. "I don't believe it."
"Explain,"
he says, and the clipped tone of his words is a warning.
"You
explain," I reply. Damn him, how can he ignore this? "That
means someone is dead, and you just sit there. It could be Captain
Kirk and he's the closest thing you have to a friend."
His
head turns slightly, and I know my comment hit home. An illogical
comment, surely, and one I shouldn’t have said aloud. The fear is
one we all face every day we live out here, that one random accident
will kill or maim a friend or a lover. But I shouldn't have made him
face it here, on the bridge. And I can't call the words back now.
"Lieutenant," he says, "my emotional reaction will not
change what has happened. The transporter room is very well manned
and they will call me if they need my assistance." His words are
flat, the kind of clipped phrasing I've heard only rarely, when Dr
McCoy has pushed him too hard.
As I
have just done. I turn away, kicking myself for what I've just said.
What did I truly expect, that he would react as a human would? That
he would show grief or fear or unease? He's not human, not fully,
and I wouldn't have talked that way to Captain Kirk.
Maybe
I'm the one who doesn't understand.
THE
END.
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